We're back!

It's a while since we've written a blog, and a while since we've rung anything to write about. This is partly because of the usual summer disruption, and partly because of losing a couple of quarters. However, yesterday we got back in business with a quarter of spliced Jersey, Cassiobury and Cray. Yes, that is a strange combination of methods - we are practising for something, and all will be revealed in due course. We deliberately rang a tricky composition: a cyclic 7-part with lots of bobs. We found it quite difficult, especially Cray.

What I find hard about Cray is ringing the long places simultaneously in 3-4 and 5-6; one bell dodging while the other makes a place, alternately through half a lead. In the end I have decided to ring it by place notation, stepping carefully through the sequence of places as we work through the lead. It works, but it means I can't think about anything else during a lead of Cray.

It was the 100th quarter together for me, Tina, Jonathan and Angela - that includes some of Royal and Maximus. The 100th quarter with just the four of us will be a future landmark. That's nearly 10 years of ringing together, which have taken us from Angela's first handbell quarter up to peals of 23-spliced and Horton's Four. Here's to many future challenges!

A curious new method

A year or two ago, the Central Council decisions (often known as "rules") were amended to allow the naming of methods that are false in the plain course. The issue came up in relation to methods used in peals of cyclic spliced maximus, where the methods were designed to produce musical changes in a cyclic composition, with no intention of ever ringing a plain course. The argument for changing the decisions was that we should only be interested in the truth of a performance that is actually rung, not the truth of a course of an individual method.

This week my eye was caught by a handbell quarter that took advantage of the new decisions to name "Plain Treble Bob Minor". It's Plain Bob Minor but with treble bob hunting instead of plain hunting. A plain course is false, but the standard calling gives a 1440 in which every row occurs twice. It could be an interesting way of practising treble bob hunting, so I will keep it in mind next time we have learners at that stage.

The method is not only false in the plain course, it's false within a lead. The only way to name the major version would be to ring a double extent!

A small and successful handbell day

On Saturday we had the Scottish Handbell Day, unusually on a bank holiday weekend because of a diary mix-up. Perhaps because of the holiday, we had fewer people than usual: just two or three groups in each session.

In the morning, we included two of our tower-bell learners from Glasgow, who hadn't tried handbells before. They both made progress with the plain hunting positions, and we got Dorothy involved too.

The rest of the day was devoted to Plain Bob and Kent. I had been worried that we didn't have enough experienced ringers, and when planning the programme I was more conservative than usual. As things turned out, the new participants - Susannah and Phyllida, who have been ringing regularly with Ian and Barbara Bell in Edinburgh - were confident with Plain Bob Minor and were able to progress to Plain Bob Major and Kent Minor. We rang four quarters altogether: one of Kent Minor and three of Plain Bob Major.

After dinner we had the obligatory attempt at Plain Hunting on 16, taking advantage of the fact that Adam's bells are still in our living room. Plain Hunting on 16 was too difficult, of course, but we had more success with a method that Jonathan suggested. The trebles course up in the same way as in Plain Hunting, and every other pair waits until the treble passes them and then starts to course after all the smaller bells. The result is that everyone is coursing, which makes it much easier to keep to a rhythm and count the places.

Finally, we rang some Plain Hunting on 10 with Susannah, Phyllida and Al, and then rang a course of Plain Bob Royal with each of then in turn.

So, in the end, everyone rang a quarter, and all of the less experienced people were able to try something new. Success all round. 

200 quarters at 1 Albany Quadrant

Angela is away this week, but Jenny came over instead and we rang a quarter of spliced Cambridge, Yorkshire and Lincolnshire, which was her first of spliced surprise on handbells. It went smoothly with good steady ringing throughout. It was the 200th quarter in the house, which has taken a bit longer than we might have expected - we only rang 6 quarters last year, and only 2 so far this year. Here are some statistics.

  • Timespan: 11 years
  • Number of people involved: 48
  • Number of conductors: 14
  • Number of different titles (Yorkshire, 3-spliced, 4-spliced etc): 47
  • Number of methods rung (including in spliced): 80
  • Leading methods: Plain Bob Major (24), Yorkshire Major (23)
  • Number of "firsts" of any kind: 50
  • Numbers of bells: 40 Minor, 137 Major, 20 Royal, 3 Maximus
  • Number of quarters with all of Simon, Tina, Angela and Jonathan in the band: 91

An unprecedented run of success

We've just come back from a short visit to Penrith, where we rang a peal of Cambridge, Yorkshire, Lincolnshire and Rutland with Julia Cater and Nick Tithecott. That makes six peals from six attempts for me, and five out of five for Tina - surely the longest winning streak in my entire handbell-ringing career. It was the first peal in Julia's new house. We rang on her mother's bells, which are a lovely Whitechapel set with three different rings of eight to choose from. We settled on a size 12 ring, the same as Jonathan's light eight that we often ring. It's a nice comfortable size for an eight-bell peal, and we rang a little more quickly than usual: 2h22 for the peal.

Just like our peal of the Nottingham Eight last Saturday, the ringing was extremely good except for a rough lead or two near the end. One day we'll eliminate those rough spots. I called this composition by Rob Lee, which is a popular choice for handbell bands.

5024 Spliced Surprise Major (4 methods)
Robert W Lee

23456  M  W  H  Methods    
---------------------------
43652  -        YYY.YR
56234  -  -     R.RRRRR.(R)
23564     -  -  RY.YYY.
52364        -  NNNNCCC.
35264        -  CCCCNNN.   
---------------------------
5 part, substituting NNN for (R) in one part.

Contains 1408 Rutland, 1280 Yorkshire, 1216 Lincolnshire (N), 1120 Cambridge, with 31 changes of method and all the work of each method for every bell.

It's the calling of Middleton's, with the methods arranged in blocks with very few changes of method. This style of spliced requires thinking in a slightly different way from a composition with a change of method every one or two leads. Positioning the bobs within the whole course of Rutland, and getting the changes between Cambridge and Lincolnshire, is much more like calling a single-method composition. I did it by a combination of following the position of the tenors and working out which place bells I would be at the next bob or at the change of method.

For the first time in a while, we don't have any more peals booked, but we have some ideas. We want to ring a peal of Yorkshire with Angela on an inside pair. After all their practice at calling quarters, we want to ring peals with Tina and Jonathan conducting. Julia wants to ring a peal of 8-spliced. After our success yesterday, we would like to ring with Julia and Nick again. Finally, there's a special project that I will write about in due course.

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