Success with Horton's 4

If I had delayed my previous post by one week, I would have been able to end the post on a higher note (see Getting to grips with Horton's 4).

After not quite getting a quarter of Horton's 4 in the days immediately following our successful tower bell peal, we managed it a week later, after everyone did a bit more homework with Abel:


Scottish Association
Glasgow
1 Albany Quadrant
Monday, 15 December 2014
1280 Spliced Surprise Major (4m)
544 Bristol, 320 London, 256 Belfast, 160 Glasgow
Composed by Matthew Durham
1–2 Angela H Deakin
3–4 Tina R Stoecklin
5–6 Jonathan S Frye
7–8 Simon J Gay (C)
150th quarter in the house.
With best wishes to Bill and Helen Brotherton as they leave Scotland for Lincolnshire.

As this was our last meeting before the holidays, we were pretty pleased to end on a high note.

It left us with some dilemma as to what our next goal should be.  Should we:

  • Finish the Horton's-4 project with the peal?
  • Move onwards with our 23-spliced project?

Both of these require more practice ringing with the tenors split, which we need.  Alternately, we could work on more developmental goals such as:

  • More Royal ringing with Marcus.
  • Getting more confident on different pairs of bells (especially moving off the trebles).
  • Developing more confidence in conducting (and not leaving it all to Simon).

All of these are worthy things to do, and would greatly enhance the success rate at our Scottish handbell days or the upcoming Handbells at Hogmanay weekend in Tulloch.  They are, in some ways, much less fun.  They are a lot less glamorous.  They are exactly the kind of developmental skills we stress when running the tower practice, where we tend to be conservative method-wise.

So, we opted for the more fun route.   So in the new year, we will do some split-tenors practice, and make an early attempt at a peal of Horton's 4.  Then we are tackling Simon's plan for getting to 23-spliced

 

Comments

Tina got in quickly with two articles about our progress with the Horton's Four methods, so I'll add my thoughts as a comment instead of another article. The main lesson for me was yet another reminder that handbell ringing requires a much more thorough knowledge of the methods and the composition. The quarter we rang is essentially the first 40 leads of the Horton's Four peal, with small adjustments at the end to bring it round. I knew the composition and methods well enough to conduct the peal, but when we started ringing it on handbells, the concentration required to ring Glasgow and Belfast meant that I constantly miscalled it. Tina wrote that we got to within three leads of the end on our first attempt, which is true, except that after we broke down, I realised that I had left out an entire course earlier on. Every subsequent attempt that evening, I also miscalled. On handbells I find that either the composition or the methods have to be almost automatic, pushed down to a less conscious level. I manage this by being rather unadventurous with compositions; also I have now had a lot of practice at the tenors course of most of the methods we ring. So what I need to do now is a lot more Mabel practice at Glasgow and Belfast, as well as keeping the composition in mind. As Tina wrote, we all managed to improve enough to score the quarter the next week, but we will have to get much better if we're going to ring a peal. Another thing we need to do is work out the most useful landmarks in Belfast. We are pretty good at Bristol now, but when someone does get a bit out, we know how to use the positions of the point blows, and the half leads, to resynchronise. In Belfast the half lead positions in the frontwork are less obvious, and there are so many point blows that it's hard to know which ones to focus on. I think the point blows immediately before and after the half lead, in 3-4-5-6, should be useful, with the right hunting between them, but we need practice at making use of that information.